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Sonntag, 29. April 2007
Ubu Web!
rabe489, 01:52h
UbuWeb: The YouTube of the Avant-Garde UbuWeb has converted all of its rare and out-of-print film & video holdings to on-demand streaming formats à la YouTube, which means that you can view everything right in your browser without platform-specific software or insanely huge downloads. We offer over 300 films & videos from artists such as Marcel Duchamp, Vito Acconci, Pipilotti Rist, Jean Genet, The Cinema of Transgression, Richard Foreman, Terayama Shuji, Paul McCarthy Jack Smith, Carolee Schneeman, John Lennon and hundreds more -- of course all free of charge. Presented in conjunction with our partners at Greylodge.
Hier klicken
Hier klicken
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Werner Schroeter
rabe489, 01:40h
"Der Tod der Maria Malibran" (1972)
Werner Schroeter (b. 1945)
Der Tod der Maria Malibran 1972 (German language, no subtitles)
"This bizarre film by one of the most original directors now working in Germany is hermetic, expressionist, oblique, and of a creative perversity that bespeaks the presence of a genius. Purporting to deal with a real-life 19th century diva 'whose popularity was such that over-exertion led to her death while singing,' the film is actually a grisly series of frozen or tortured tableaux (predominantly lesbian in implication) of heavily rouged, frequently ugly women who, pretending to sing heavy opera, go through contorted, icy attempts at communication that lead nowhere. The lip-sync is off; the singing is off-pitch; mouths are frequently open while no sound issues forth, or closed, with mellifluous arias or cheap popular songs heard on scratchy renditions of old records. Neither burlesque nor slapstick, the film's intent, at least in the beginning, is nevertheless ironical and subversive, though mysteriously so. However, it grows increasingly dark and more threatening, with screams, faces bathed in Vaseline, red, wet mouths, smeared eye shadows, and dehumanized figures. One cannot 'explain' Schroeter's work, other than recognize his debunking of opera as a metaphorical rejection of bourgeois society; but one trembles in recognition of a prospective major talent."
- Amos Vogel, Film as a Subversive Art
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by rabe489 (Fr, 26. Okt, 16:45)
